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Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150)
Hyer matin a l’enjornee (The Art of the Trouvères, Northern France, 12th & 13th c.)
Owê dirre nôt (Minnesänger, Holy Roman Empire, 13th c.)
Dame que je n’os noumer (Motet from the Montpellier Codex, 13th c.)
Kyrie, Kyria christifera (English Ladymass, Salisbury, 13th & 14th c.)
Mater ora filium (Sacred Music in 14th-c. England)
De ma doulour (Ars Subtilor)
Salve scema sanctitatis, Salve salus servulorum, Cantant celi agmina (15th c. England)
O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony)
Ave dulcissima Maria (Renaissance Motet)
Tallis’ Canon, Eighth Tune for Archbishop Parker’s Psalter (Age of the Reformation)
Anchor che col partire (Italian Madrigal)
Allala, pia Calia (Italian Madrigal)
Crudele acerba (Italian Madrigal)
Constant Penelope (Song from the Elizabethan England)
℗© harmonia mundi
