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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - I. Lebhaft
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - II. Innig
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - III. Etwas hahnbüchen
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - IV. Ungeduldig
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - V. Einfach
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - VI. Sehr rasch und in sich hinein
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - VII. Nicht schnell mit aeusserst starker Empfindung
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - VIII. Frisch
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - IX. [Lebhaft]
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - X. Balladenmässig, sehr rasch
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - XI. Einfach
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - XII. Mit Humor
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - XIII. Wild und lustig
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - XIV. Zart und singend
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - XV. Frisch
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - XVI. Mit gutem Humor
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - XVII. Wie aus der Ferne
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Schumann: Davidsbündlertänze, Op. 6 - First Edition (1837) - XVIII. Nicht schnell
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Schumann: Gesänge der Frühe, Op. 133 - I. Im ruhigen Tempo
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Schumann: Gesänge der Frühe, Op. 133 - II. Belebt, nicht zu rasch
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Schumann: Gesänge der Frühe, Op. 133 - III. Lebhaft
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Schumann: Gesänge der Frühe, Op. 133 - IV. Bewegt
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Schumann: Gesänge der Frühe, Op. 133 - V. Im Anfang ruhiges, im Verlauf bewegtes Tempo
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Schumann: Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36) - I. Allegro brillante
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Schumann: Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36) - II. Quasi Variazioni. Andantino de Clara Wieck
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Schumann: Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36) - III. Prestissimo possibile
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Schumann: Piano Sonata No. 1 in F Sharp Minor, Op. 11 - I. Introduzione (Un poco adagio - Allegro vivace - Più lento)
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Schumann: Piano Sonata No. 1 in F Sharp Minor, Op. 11 - II. Aria
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Schumann: Piano Sonata No. 1 in F Sharp Minor, Op. 11 - III. Scherzo (Allegrissimo) ed Intermezzo
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Schumann: Kreisleriana, Op. 16 - I. Äusserst bewegt
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Schumann: Kreisleriana, Op. 16 - II. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I
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Schumann: Kreisleriana, Op. 16 - III. Sehr aufgeregt
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Schumann: Kreisleriana, Op. 16 - IV. Sehr langsam
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Schumann: Kreisleriana, Op. 16 - V. Sehr lebhaft
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Schumann: Kreisleriana, Op. 16 - VI. Sehr langsam
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Schumann: Kreisleriana, Op. 16 - VII. Sehr rasch
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Schumann: Kreisleriana, Op. 16 - VIII. Schnell und spielend
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Schumann: Fantasie in C, Op. 17 - I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo
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Schumann: Fantasie in C, Op. 17 - II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter
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Schumann: Fantasie in C, Op. 17 - III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter
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