Gwynne Howell

Brani più ascoltati

1. I Capuleti e i Montecchi, Act I: Accorriam ... Romeo! (Coro/Tebaldo/Capellio/Romeo/Giulietta/Lorenzo)

1. I Capuleti e i Montecchi, Act I: Accorriam ... Romeo! (Coro/Tebaldo/Capellio/Romeo/Giulietta/Lorenzo)

Vincenzo Bellini, Riccardo Muti, Agnes Baltsa, Dano Raffanti, Edita Gruberova, Gwynne Howell, Sir John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden & Royal Opera House Covent Garden Chorus

2. Un ballo in maschera, Act 1: "Chi voi siate, l'audace parola" (Ulrica, Riccardo, Samuel, Oscar, Coro)

2. Un ballo in maschera, Act 1: "Chi voi siate, l'audace parola" (Ulrica, Riccardo, Samuel, Oscar, Coro)

Gwynne Howell, Philharmonia Orchestra, Fiorenza Cossotto, Chorus of the Royal Opera House, Covent Garden, Plácido Domingo & Reri Grist [feat. Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Girls From The Haberdashers' Aske'S School For Girls, Elstree, Gwynne Howell, Medici String Quartet, Plácido Domingo, Reri Grist & Rodney Slatford]

3. Verdi: Luisa Miller / Act 1 - Quale un sorriso d'amica sorte

3. Verdi: Luisa Miller / Act 1 - Quale un sorriso d'amica sorte

Elena Obraztsova, Gwynne Howell, Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel, Chorus of the Royal Opera House, Covent Garden & John Barker

4. Mozart: Vesperae solennes de confessore in C, K.339 - 1. Dixit Dominus Domino meo

4. Mozart: Vesperae solennes de confessore in C, K.339 - 1. Dixit Dominus Domino meo

Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra & Sir Colin Davis

5. Handel: Messiah, HWV 56, Pt. 2 - No. 36, Aria. Thou Art Gone Up on High (Alto/Bass)

5. Handel: Messiah, HWV 56, Pt. 2 - No. 36, Aria. Thou Art Gone Up on High (Alto/Bass)

Gwynne Howell, Academy of St Martin in the Fields & Sir Neville Marriner

6. Handel: Messiah, HWV 56, Pt. 1 - No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass)

6. Handel: Messiah, HWV 56, Pt. 1 - No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass)

Gwynne Howell, Academy of St Martin in the Fields & Sir Neville Marriner

7. Handel: Messiah, HWV 56, Pt. 1 - No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass)

7. Handel: Messiah, HWV 56, Pt. 1 - No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass)

Gwynne Howell, Academy of St Martin in the Fields & Sir Neville Marriner

8. Handel: Messiah, HWV 56, Pt. 2 - No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder

8. Handel: Messiah, HWV 56, Pt. 2 - No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder

Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields & Sir Neville Marriner

9. Handel: Messiah, HWV 56, Pt. 3 - No. 47, Recit. Behold, I Tell You a Mystery (Bass) - No. 48, Aria. The Trumpet Shall Sound (Bass)

9. Handel: Messiah, HWV 56, Pt. 3 - No. 47, Recit. Behold, I Tell You a Mystery (Bass) - No. 48, Aria. The Trumpet Shall Sound (Bass)

Gwynne Howell, Academy of St Martin in the Fields & Sir Neville Marriner

10. Berlioz: L'enfance du Christ, H. 130, Pt. 3 (Arrival at Sais): VI. L'intérieur de la maison des Ismaél: No. 4, Pour bien finir cette soirée (Le père de famille)

10. Berlioz: L'enfance du Christ, H. 130, Pt. 3 (Arrival at Sais): VI. L'intérieur de la maison des Ismaél: No. 4, Pour bien finir cette soirée (Le père de famille)

Matthew Best, Corydon Orchestra, Gwynne Howell & Hector Berlioz

11. Berlioz: L'enfance du Christ, H. 130, Pt. 3 (Arrival at Sais): V. L'intérieur de la maison des Ismaél: No. 3, Sur vos traits fatigués la tristesse est empreinte (Le père de famille/Joseph/Chœur)

11. Berlioz: L'enfance du Christ, H. 130, Pt. 3 (Arrival at Sais): V. L'intérieur de la maison des Ismaél: No. 3, Sur vos traits fatigués la tristesse est empreinte (Le père de famille/Joseph/Chœur)

Corydon Singers, Gerald Finley, Matthew Best, Gwynne Howell, Corydon Orchestra & Hector Berlioz

12. Berlioz: L'enfance du Christ, H. 130, Pt. 3 (Arrival at Sais): IV. L'intérieur de la maison des Ismaél: No. 2, Grand Dieu! quelle détresse! (Le père de famille/Chœur)

12. Berlioz: L'enfance du Christ, H. 130, Pt. 3 (Arrival at Sais): IV. L'intérieur de la maison des Ismaél: No. 2, Grand Dieu! quelle détresse! (Le père de famille/Chœur)

Corydon Orchestra, Gwynne Howell, Matthew Best, Corydon Singers & Hector Berlioz