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Sir Thomas Allen

Brani più ascoltati

1. War Requiem, Op. 66: Ia. Requiem aeternam: What passing-bells for these who die as cattle?
1. War Requiem, Op. 66: Ia. Requiem aeternam: What passing-bells for these who die as cattle?
Benjamin Britten, Sir Simon Rattle, Elisabeth Söderström, Mark Blatchly, Robert Tear, Sir Thomas Allen, City of Birmingham Symphony Orchestra, Boys of Christ Church Cathedral, Oxford & Cbso Chorus

2. Mozart: Le nozze di Figaro, K. 492 / Act 2 - "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai"
2. Mozart: Le nozze di Figaro, K. 492 / Act 2 - "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai"
Lucia Popp, Frederica von Stade, Sir Thomas Allen, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti & Wolfgang Amadeus Mozart

3. Mozart: Le nozze di Figaro, K. 492 / Act 2 - "Che novità!"
3. Mozart: Le nozze di Figaro, K. 492 / Act 2 - "Che novità!"
Sir Thomas Allen, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti & Wolfgang Amadeus Mozart

4. Mozart: Le nozze di Figaro, K. 492 / Act 2 - "Venite! Inginocchiatevi...Quante buffonerie!"
4. Mozart: Le nozze di Figaro, K. 492 / Act 2 - "Venite! Inginocchiatevi...Quante buffonerie!"
Lucia Popp, Kiri Te Kanawa, Frederica von Stade, Sir Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti & Wolfgang Amadeus Mozart

5. Mozart: Don Giovanni, K.527 / Act 2 - "Don Giovanni, a cenar teco m'invitasti"
5. Mozart: Don Giovanni, K.527 / Act 2 - "Don Giovanni, a cenar teco m'invitasti"
Robert Lloyd, Sir Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner & Wolfgang Amadeus Mozart

6. Mozart: Le nozze di Figaro, K. 492 / Act 1 - "Non so più...Ah, son perduto!"
6. Mozart: Le nozze di Figaro, K. 492 / Act 1 - "Non so più...Ah, son perduto!"
Frederica von Stade, Lucia Popp, Sir Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti & Wolfgang Amadeus Mozart

7. Luisa Miller, Act I: Stop! You shall listen - Marriage is sacred - I was right to be so suspicious (Sacra la scelta) (Miller, Wurm)
7. Luisa Miller, Act I: Stop! You shall listen - Marriage is sacred - I was right to be so suspicious (Sacra la scelta) (Miller, Wurm)
David Parry, London Philharmonic Orchestra & Sir Thomas Allen

8. Carousel, Act I: I wonder what he'll think of me!, "Billy's Soliloquy" (Billy Bigelow)
8. Carousel, Act I: I wonder what he'll think of me!, "Billy's Soliloquy" (Billy Bigelow)
David Parry, London Philharmonic Orchestra & Sir Thomas Allen

9. Tannhäuser, WWV 70, Act III: With dark foreboding twilight casts her shadows (Wie Todesahnung) (Wolfram)
9. Tannhäuser, WWV 70, Act III: With dark foreboding twilight casts her shadows (Wie Todesahnung) (Wolfram)
David Parry, London Philharmonic Orchestra & Sir Thomas Allen

10. Hamlet, Act II: Oh wine, deliver me from sadness, "Drinking Song" (Hamlet, Chorus)
10. Hamlet, Act II: Oh wine, deliver me from sadness, "Drinking Song" (Hamlet, Chorus)
David Parry, London Philharmonic Orchestra, Sir Thomas Allen & Geoffrey Mitchell Choir

11. Billy Budd, Op. 50, Act II: Look! Through the port comes the moonshine astray, "Billy in the Darbies" (Billy)
11. Billy Budd, Op. 50, Act II: Look! Through the port comes the moonshine astray, "Billy in the Darbies" (Billy)
David Parry, London Philharmonic Orchestra & Sir Thomas Allen

12. Die Tode Stadt (The Dead City), Op. 12, Act II: In visions, illusions (Mein Sehnen) (Fritz, Chorus)
12. Die Tode Stadt (The Dead City), Op. 12, Act II: In visions, illusions (Mein Sehnen) (Fritz, Chorus)
David Parry, London Philharmonic Orchestra, Sir Thomas Allen & Geoffrey Mitchell Choir